Sammy Harkham
The American Dream at the End of Old Hollywood in Sammy Harkham’s Blood of the Virgin
Seymour seems to be searching for something but if you asked him, I don’t know if he would be able to articulate what it is.
Sammy Harkham
Seymour seems to be searching for something but if you asked him, I don’t know if he would be able to articulate what it is.
Chris Claremont
Claremont’s X-Men takes shape as being the story of Storm.
matt kindt
Matt Kindt hides what may be the greatest Spy Superb in plain site of everyone— someone who is so bad at everything that he may actually be good at being a spy.
tradd moore
Tradd Moore has synthesized the vocabulary of Jack Kirby and Steve Ditko with Mike Mignola and Jim Woodring’s sense of time, space, and movement..
Jay Stephens
Somehow, these stories manage to be disturbingly dark but adorably cute.
Siyuan Wen
Call it empathy or just a collective response to loss but Wen’s pages draw you into Anna and Wayde’s presences to create a triangular bond between the two characters and the reader.
tatsuki fujimoto
Whether it’s to protect himself or his characters, Tatskuki Fujimoto sets up this distance, holding his audience back from being there with these two.
Jenna Cha
Jenna Cha creates a realism in the things that we can’t see.
Chris Claremont
Chris Claremont starts setting up for the X-Men’s future, starting by removing links to their past.
sean phillips
Brubaker and Phillips enter some real Hitchcockian territory, exploring an ordinary man entering into extraordinary circumstances.
G. Willow Wilson
Poison Ivy has lost something and this trip is her attempt to regain it. It’s more than just her powers that are lost; it’s her direction.
Noah van Sciver
Through captivating artwork and a narrative self-portrait, Noah Van Sciver explores the impact of fear and the transformative power of Spawn #5.