The Rusted Staple Theorem of Comic Criticism

Or Welcome back my friends to the show that never ends.
Twitter, please show me content for two English majors who run a comic blog . . .
— From Cover To Cover (@FromCovToCov) October 17, 2021
đđ€Żđ§ https://t.co/ILclU99t7o
Hint: We're the two English majors. Â
Just what the internet needs-- another website about comics. Â We know, god, everyone has a website where all they do is talk about comics. Â Paul Schraderâs and Megan Thee Stallionâs comic blogs are all anyone is talking about right now. You may not know about them but trust me, in the hidden Twitter circles Mike haunts, theyâre all people are talking about. Â Or so he tells me. He talked me into all of this promising fame and fortune. Â So why do you need two more palookaâs throwing in their own thoughts about comics?
Maybe youâre right. Â Maybe we should just shut this whole thing down right now.
But we already paid for a year of web hosting. Â It would just be wasteful not to use it, right?
RIGHT?
So where were we?
Hi there and welcome to From Cover to Cover, this new endeavor of mine and my partner Mike Baxter. Â (Say âHiâ to all the nice people, Mike.) Â Iâm Scott and Iâve actually hung around the fringes of the comic blogosphere (remember that?), podcasting, and so-called serious comic writing for the past 18-ish years or so. Â And on the fringes is where Iâve wanted to be, itâs where I like to be because you can do almost anything there, like holding extremely one-sided conversations with an audience that you hope is there. Â (Youâre real, right? Â Iâm not just in a cave staring at shadows, am I?)
And nothing gets more on the fringes of pop culture than comics, even if theyâre driving the pop culture right now.
So here we are, another comic website in a sea of comic websites that the world largely ignores. Â Itâs not like superheroes and their mass-manufactured narratives arenât the hottest thing on the face of the earth right now? Â But weâre not here to talk about tv shows or movies. Â Weâre not here to tell you what to buy or to rate a comic on some made-up scale.
(But if we were rating comics, Iâd rate them on a rusted staple scale. Â Kieron Gillen and Dan Moraâs Once and Future gets 8 rusted staples. Â Gabrielle Bellâs latest minicomic gets one rusted staple. Â Is one rusted staple better or worse than 8? Â 8 is more but itâs just really more rust. Â Is that something that deserves to be used as a pull quote on the back of some flimsy trade collection? Â Who knows? Â Who cares? Everything by Gillen, Mora, and Bell is great and you should be reading all of it)
Mike and I have been talking for a while about what we love about comics and what we love about criticism  In a lot of ways, how we approach these loves is the same even as where we find that love overlaps but comes from different directions.  And thatâs one of the things we love about comics-- theyâre so different.  There are no defined statutes about what a comic needs to be.  In a recent trip to the comic shop, I grabbed the latest issue of Jason Aaronâs Avengers and a recent edition of Dan Cloweâs Like a Velvet Glove Cast in Iron.  The stack next to my desk (just one of many stacks in the house) has the aforementioned Gabrielle Bell and Kieron Gillen in it but it also has Rumiko Takahashi, Elsa Charrettier, John Porcellino, Grant Morrison, Joe Matt, and Lale Westvind in it.  Itâs not well balanced and will probably topple over at any moment but this is what we love about comics.  Itâs the voices, the creators, the stories, and the possibilities that start with a blank page.
And if you looked at a lot of comic websites, you would see only a portion of those comics and voices represented. Â I canât say that Mike and I and whoever else we manage to coax into this thing are going to be all-encompassing because thereâs just too much out there to be able to read everything. Â Weâve got our own blinders on as well and realize that there are cartoonists, writers, and artists out there that we donât even know about. Â But we want to. Â We want to find voices and perspectives that will show us something new. Â And they can be the most established mainstream Marvel or DC creators but they could be doing something fascinating with decades-old characters or they could be some young person in a far corner of the world posting their first comic to Instagram. Â
We love comics. Â We love stories. Â We love art. Â We love when theyâre done well and have something to say.
So thatâs who we are. Â But before we get down to business (and weâve got plenty of business planned,) I want to thank a couple of people.
First off, I want to thank Rob McMonigal and James Kaplan over at Panel Patter, as well as the rest of the gang there. Â Rob and I have probably known one another for going on 9 or 10 years now, ever since we were paired together at Newsarama (more on that in a moment.) Â For 7 of those years, he let me do almost anything I wanted to at Panel Patter, including messing around with the backend code of the site. Â Rob and James have been partners and friends all that time and we have supported each other through an awful lot. Â I hope those friendships and support continue as I value their friendship and their own love of comics.
And then I want to thank Ringo-winning comics writer David Pepose. Â In his dark past, David recruited me (and Rob) to write reviews for Newsarama which was another great experience. Â I never thought Iâd write for one of the âbigâ sites but David asked and I ended up accepting. Â My participation waxed and waned over the years but David was a fantastic editor and I still hear his voice in the back of my mind whenever Iâm writing something. Â âAre you reviewing the book or something outside of the book?â Â âWhereâs the discussion of the artist here?â And things like that. Â Itâs been thrilling to watch Davidâs writing career take off in the last couple of years and I hope that it continues. Â
So thatâs it. Â Iâve actually been on a writing break for a few months so I really need to get down to it and remember how to talk about comics. Â Which is what From Cover to Cover is all about.
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