Chris Claremont
My Claremont Year- The End
Chris Claremont’s X-Men were rarely about the costumes or their super-heroics
Chris Claremont
Chris Claremont’s X-Men were rarely about the costumes or their super-heroics
naoki urasawa
It’s weirdly prophetic to read 20th Century Boys in 2024, looking back on the last decade and wondering how we missed Urasawa’s possible warning of all of this.
TAIYO MATSUMOTO
Tekkonkinkreet, now 30 years old, is this story of aging, growing old, and trying to preserve the innocence of youth.
2023
James, Mike and Scott take a look at our favorite comics of 2023.
Matt Wagner
Just because you can return to the original story doesn’t mean that you have to.
Chris Claremont
Madelyne Pryor died in Inferno so that Jean Grey could live (and die and live again.)
Darwyn Cooke
There are the Parkers of the world and then there's the rest of us who live in their shadows.
Rick Veitch's The One challenges the notion of superhero power, reflecting the failures of a broken world.
Take a trip through time in Richard McGuire's Here.
20th Century Men doesn’t overtly bill itself as a superhero comic. And to be fair, it shouldn’t. It is a post-superhero superhero book.
The publishing history of Disney Comics is long and complicated. Mike takes a dive into it and tries to figure out how we could get more Uncle Scrooge comics.
A look at one of Brian Bolland’s best panels.
This issue functions not as a reimagining of the Transformers story but as a reestablishing of it.
How can you have compassion for other people when you have none for yourself?
Seymour seems to be searching for something but if you asked him, I don’t know if he would be able to articulate what it is.
Claremont’s X-Men takes shape as being the story of Storm.
Matt Kindt hides what may be the greatest Spy Superb in plain site of everyone— someone who is so bad at everything that he may actually be good at being a spy.
Tradd Moore has synthesized the vocabulary of Jack Kirby and Steve Ditko with Mike Mignola and Jim Woodring’s sense of time, space, and movement..
Somehow, these stories manage to be disturbingly dark but adorably cute.
Call it empathy or just a collective response to loss but Wen’s pages draw you into Anna and Wayde’s presences to create a triangular bond between the two characters and the reader.
Whether it’s to protect himself or his characters, Tatskuki Fujimoto sets up this distance, holding his audience back from being there with these two.
Jenna Cha creates a realism in the things that we can’t see.
Chris Claremont starts setting up for the X-Men’s future, starting by removing links to their past.